It has 5 different saturation modes and an EQ section which allows you to shape the tone of the saturated signal. Soundtoys Decapitatorĭecapitator by Soundtoys is a saturation/distortion plugin that emulates everything from tape machines, output tubes, and channel strips. I don’t like sharing exact settings, but I usually highpass around 50 Hz to get rid of the unnecessary low end, and I often boost a tiny bit around 1.6 kHz to make the guitars sound a little more open. Therefore, I use the 1073 very subtly to give the signal just a tiny bit of that magical Neve color. So it pays to be sensible with the settings here. An obvious downside to this is that as soon as the signal has been recorded you can’t change the Scheps 73’s settings. This “prints” the effect just as if I had recorded with a real preamp straight into my DAW.
I typically use the Scheps 73 in my recording FX chain, meaning I run my guitars through it before it is recorded. This means you can get away with doing drastic moves on the EQ section without it sounding bad. Many mixing engineers love recording through this preamp because the transformer does something magical to the low end of a signal, and the EQ section is very musical. The 1073 has become a staple of preamplifiers and is known for its rich and colorful sound.
The Waves Scheps 73 emulates one of Andrew Scheps’ personal Neve 1073 preamps. Each of them are outstanding in their own right. However, these are the 7 best plugins for mixing guitars that I’ve come across in my music production journey. Let’s face it, “Best Of” lists are always going to be somewhat subjective. Rounding Up 7 Of The Best Plugins For Mixing Guitars Sure choosing the right amplifier, guitar and even pickups is essential but so are is choosing the correct plugins. Engineers rely on various plugins as mixing tools, and will also likely be using amp sims and other processing on guitar tracks to get the best possible tone. One crucial part that is often overlooked is the mixing process.įor every record you’ve listened to, a mixing engineer has spent countless hours in the studio trying to make the raw recorded tracks sound as good as possible. But there’s so much more to making a great album. When making a record many people tend to think an artist disappears in a studio, a few instruments get recorded, a few buttons get pushed, and voila! Album’s done.
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